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S.D Holman's CVClick here to download the 2010 version of Shaira Holman's CV in PDF format. Shaira HOLMAN Art Producer/Director Photo/Performance-based 2248 East Third Avenue Vancouver, B.C. V5N 1J1 (604) 254-5869 Web Site: sdholman.com Email: shoot@sdholman.com EDUCATION Vancouver Film School—Cinematography & Lighting Vancouver
Film School—Set Orientation and WHMIS Board of Directors & programming work 2010 Pride in Art Society: The Artistic director 2009 Pride in Art Society: The Festival director 2006—2009 Pride in Art Society: Vice-President, Board of Directors and participating artist 2006—present Pride in Art Society: Programming Committee 1991—2000 Vancouver Association for Non-Commercial Culture: Director, Board of Directors & participating artist
Exhibitions 2009 Gallery Gachet, Vancouver, BC, Stealing Masculinity solo exhibition 2008 The Roundhouse Gallery, Juried show- Pride In Art exhibition-Gender Twist 2008 Vancouver Crematorium and Cemetery, Dead Serious—commissioned work for BC New Music Program, New Music in New Places. 2006 The Roundhouse Gallery, Pride In Art Group exhibition- Joy along the continuum 2005 The Roundhouse Gallery, Pride In Art Group exhibition, Vancouver, B.C. 2004 The Pendulum Gallery, Vancouver, B.C. Curator: Persimmon Blackbridge GenderStupid from Borg Again Group exhibition 2003 Soady Campbell Gallery, New York, USA. Curator: Ector Simpson G.I.D. Gender Identity Disorder or Girls in Drag. Solo, photo-based exhibition/installation. 2003 Artisan Square, Bowen Island Curator: Geoff McMurchy Group show for S4DAC Special, Born Naked And Dj Boychick Silver gelatin originals 2003 Town Hall, Seattle. Director: Allena Gabosch Juried group Show #1, #2, #3, #4, #5, Untitled Silver Gelatin prints 23”x30” from Fusion 2002 1.6 Gallery, Vancouver, B.C. Curator: Christopher Davidson G.I.D. Gender Identity Disorder or Girls in Drag, photo-based installation. 2001 Advocate Gallery, Los Angeles, USA Curator: Sarah Stifler G.I.D. Gender Identity Disorder or Girls in Drag. Solo photo-based exhibition/installation & artist talk. 2001 San Francisco Public Library, San Francisco, USA. Curator: Karen Sundhiem G.l.D. Gender Identity Disorder or Girls in Drag. Solo photo-based exhibition/installation. 2001 The Roundhouse, Vancouver, B.C. Curator: Persimmon Blackbridge Special. From OUTSIDE THE LINES, Group exhibition 2001 The Pendulum Gallery, Vancouver, B.C. Curator: Persimmon Blackbridge Special. From OUTSIDE THE LINES. Group exhibition 2000 Dr. Vigari Gallery, Vancouver, B.C. G.l.D. Gender Identity Disorder or Girls in Drag. Solo photo-based exhibition/installation. 1999 Video In, Vancouver, B.C. A project with the Association for Non - Commercial Culture Non-Document An experimental video exploring perceptions of truth and history, 26 mm. 1998 Helen Pitt Gallery, Vancouver, B.C. Curator: Ken Dietrich-Campbell G.l.D. Gender Identity Disorder or Girls in Drag. Solo photo-based exhibition/installation. 1997 Exposure Gallery, Vancouver, B.C. Objectification From The Body, Group exhibition; Polaroid Transfer 1996 Exposure Gallery, Vancouver, B.C. Untitled From Altered States, Group exhibition; Polaroid Transfer 1995 A project with the Association for Non-Commercial Culture, Vancouver, B.C. Famous From Freely Deposited, Group exhibition deposited in public sites. 1995 Fotobase Gallery Vancouver, B.C. Curator: Anne Rosenburg Hero Was a Woman. Solo photo-based installation; Silver Immulsion Prints 1994 A project with the Association for Non-Commercial Culture Vancouver, B.C My Shoes From Bench (Re) Marks, Group, interactive site, specific installation. 1994 Fringe Festival Vancouver, B.C. A Thin Line. Multi-media Performance, Video/Theatre 1993 Women in View Vancouver, B.C. A Thin Line, Multi-media Performance, Video/Theatre 1993 A project with the Association for Non-Commercial Culture Vancouver, B.C. Hate is not a Family Value From Benchmarks, Group, interactive site-specific installation. 1993 Woodwards Building Vancouver, B.C. Principal Hazardous Components From Artropolis, interactive photo-based installation. 1993 A project with the Association for Non-Commercial Culture Vancouver Various sites in Vancouver, B.C. Collaboration with Lizard Jones and River Sui Little Lesbian House on the Street From Out of Place, Interactive, kinetic installation. 1992 Women in Focus Gallery Vancouver, B.C. Picture a Day From Revising the Mandate, photo-based installation. 8’ x 10’ 1991 Lens and Shutter Vancouver, B.C. The Ovaltine From Vancouvers’ Vancouver, Group exhibition; Colour Print 1990 Community Arts Council Vancouver, B.C. Power & Trust - There’s Something about the Women in my Life From Artcelebration 90, Photo-based installation 1988 Robson Square Media Centre (toured B.C.)Vancouver, B.C. Shannon From Women in this Decade, Group exhibition; Colour Print
PUBLICATIONS 200 7(reprinted 2009) Culture and Education—Wadham. Pudsey. Boyd. Person Education, Australia, New Zealand and South East Asia. 2003 Journal of Lesbian Studies—Gibson and Meem. Harrington Park Press 2002 Fusion—Link Publications, Vancouver, B.C. Canada 2001 The Mammoth Book of Erotic Photography—Constable & Robinson, London, UK & Paris, France 2001 The Mammoth Book of Illustrated Erotica—Knopf Press, New York, NY 1990 The Best of College Photography—Serbin Communications, Santa Barbara, Ca INDEPENDENT FILM/VIDEO 2000 Performer & assistant to the Producer—Independent Video. Casablanket by Barbara Anderson; Amazon Communications, Berlin Film Festival and V.O.S. Film. 1999 Co-Creator/Director and Videographer—Independent Video Non-Document. An experimental video exploring perceptions of truth and history, 26 mm. A project with the Association for Non-Commercial Culture 1999 Photographer—Independent Video Alternative Families by Barbara
Anderson; Amazon Communications Tears of a Lotus by John Milton
Branton; Emerald Films Video/Theatre; A Thin Line by River
Light. Coming Out of the Closet by Susan Harman;
Reel Bent Productions Passing; Reel Bent Productions Orpheus Rising by Lorna Boschman Drawing The Line by Lorna Boschman P.S.A. for Rape Relief Uncle Vanya. Producer: D. Henley. Cinestar Productions, Educational Film VSB
Some REVIEWS AND INTERVIEWS Girlfriends, “Check it out, Visual art” (June 2001) Artichoke, “Review” by Paula Gustafson (Spring 1999) Mix Magazine, Vol. 24.2, “Artist Run Culture—G.I.D.” (1999) Parallelogram, Vol. 20 #3, “Benched Art Negotiating the Rhetorics of Taste” by L. Robertson Extra West, #138, “Who’s Definition of Gender?” by Paula Gustafson (1998) Vancouver Courier, “The Meaning of Drag” (October 1998) Kinesis, “Girls in Drag is Gender Euphoria” by Lesley Ziegler (1998) Borderline Issue 34/35 “Benchmarks” by Jacqueline Larsen (Winter/Spring 1995) The Vancouver Sun, “Town Talk” by Malcolm Parry (December 14, 1995) Woman’s Television Network, “The Creators” (1994,1995) Every Woman’s Almanac by Karen X. Tulchinsky (1995) Xtra West, “A Decade of Alternative Theatre” by Cindy Filipenko (August 1994) Arts, “Review” by Angles Staff (September 1994) The Fringe Review, “Hotter than Georgia Asphalt” by D. Evans (September 1994) Xtra West, “Typecasting on Madison” by Cindy Filipenko (July 1994) Georgia Straight, “Local Street Art Expresses Community Creativity” by P. Gustafsen (1994) Artopolis, “Process and Transformation” by David Pettigrew (1993) CFRO, “The Muse at 9:00” by Lizard Jones (August 1993) Artopolis, “Art Focus” (Winter/Spring 1993) Kinesis, “Revising the Mandate” by Kathleen Oliver (September 1992) CFRO, “Pigeon Park Review” (April 1992) “Can you see me now” a film on five women artists, by Holly Natall (July 1991) The Vancouver Sun, “Images of Pride and Humour” by Ann Rosenburg (September 1990) OTHER MEDIA ARTS EXPERIENCE 35 mm, 2 1/4, 4 x 5 and 8 x 10 still film & digital cameras. Experience with Arriflex BL 16mm, 3/4, SVHS and Hi-8 video camera. Experience editing Final Cut Pro and Steinbeck, also B & W, colour and cibachrome printing. Experience with studio, flash, lighting and
metering.
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